LARGE GALLERY

September 5 – October 4, 2025

Valerie Durant

The exhibition “Understory: Hidden Connections” is a series of silk panels, photographs, and sculptures made from natural and reused materials, that aims to delve into the intricate world of the understory & underground networks below the surface of the forest ecosystem, exploring the function of fungus (mycelium) & the delicate threads of the mycorrhizal network of communication & consciousness.

Exploring the function of fungus and the delicate threads of the mycelium networks of communication and consciousness, Valerie Durant’s work makes visible the invisible connections of diverse collaborations and inclusivity that nourish the forest below the surface. These connections remind us of human interconnectedness with nature, urging us to foster a symbiotic relationship with our environment to protect both ourselves and our ancestors.

“In my practice, I explore parallels between climate and social inequity; focusing on human impacts on nature; acknowledging the importance of roots in nature and in our lineage; recognizing the harm caused by societal detachment from its origin. This understanding guides my artistic journey as I strive to reconnect with my personal family history while fostering a deeper awareness for the interconnectedness of all life.”
-Valerie Durant

Mycelium know no distinction between tree species, supplying nutrients equally and equitably to all. Forests embody successful societal structures, fostering intergenerational cultures of diversity, inclusivity, cooperation, and reciprocity. Even in aging and after death, elder nurse trees nurture future generations in regenerative communities of living organisms. Durant argues that it is vital that we embrace our similarities and understand our interdependence with each other and the natural world as we face the climate crisis.

Photographs collected during forest walks are printed on handmade papers and translucent silk, sewn and connected with delicate threads mimicking the mycorrhizal network. The hanging panels subtly move in response to participant engagement, expressing parallels to sociological theories of interdependence and connection, while expressing the tactility, multisensorial nature of the understory. Reimagined paper shopping bags, combined with photos, carbon,
bark, moss and botanical dyes, collected from the forest floor are shaped into tactile sculptures, cast in molds made from forest imprints. Trees harvested for
consumer use come full circle, reflecting upon their source of origin through the papermaking process.

The Sunshine Coast Arts Council and Valerie Durant acknowledge the generous
support of Canada Council for the Arts.